House Portraits, House Painters, Vernacular Cracker

"HOUSE Portraits, HOUSE Painters, Vernacular CRACKER" is the inaugural art showing at VintageATL, a relatively new art gallery + retro furniture story + framing shop in popular and totally hip East Atlanta Village.

The show features works by artists William Mize, Heather McPherson and Joe Dreher, curated by my friend and fellow blogger Terry Kearns, author of Architecture Tourist, who was recently featured in Creative Loafing! 

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

Terry shared with me, "I salute Joe, Heather, William, Gina, JP, and Vivian. It was stunning to learn how hard the artists worked to produce this art to get the pieces ready, AND to get the gallery ready for this show. It was a privilege to be a part of it though; I was just a cheerleader from the sidelines. I want to do this again!"

I didn't quite realize it at the time, but when I asked Terry and Joe if I could make a photo of them in front of the "Terry Kearns Mural"—that's what I'm calling it and forever shall—Terry grabbed a couple of others, who serendipitously were right there, to be in the photo...they were the other artists featured in the show, William and Heather! 

On exhibit through Saturday, May 23, 2015, "HOUSE Portraits, HOUSE Painters, Vernacular CRACKER" is a must-see for any gallery art show enthusiast, fans and students of architecture, and those who enjoy an edgy neighborhood. East Atlanta is quite awesome.

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

Atlanta-based artist Heather McPherson is showing several of her works, which if I understood correctly are paintings of actual houses in Atlanta. 

Heather shared with me, "I've been drawing and painting houses for about 10 years. At first I didn't know why I was drawn to them, but over time realized it's that houses contain our private, hidden lives. In looking at the exterior of a house you see small clues of what the interior may hold."

Terry told me that Heather's Cabbagetown house paintings were the catalyst inspiration for his wanting to curate the show. Her work is masterful and beautiful...I see why Terry was inspired.

If you've visited Fernbank Museum of Natural History in recent years, you've experienced Heather's professional expertise—through the awesome volunteers she manages—and if you'd like to learn more about her art, contact or visit Vintage ATL during the exhibition!

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

I made a new friend! I had the pleasure of meeting "Snow", the canine companion of artist Melissia Fernander. Snow is curious, cute and convivial...and popular. Melissia and I enjoyed chatting about the exhibition and the "Atlanta experience". 

An artist of note, one of her works is hanging in the Washington, D.C., office of Congressman John Lewis! I don't know if Snow has a political affiliation, but can't you just picture in an adorable little White (dog) House?

The photos above and below are William Mize pieces. I quite like his work, especially the piece pictured below.   

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

I didn't make the connection at the time, but I've seen Mize's work before--he paints a lot more than houses! One of my favorites of his works is The Climb. I'd seen it on a Museum of Design Atlanta (MODA) "Field Trip" event when we went to MOCA GA (see that post). I love connecting the dots!

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

That's Mahk coming around of the AWESOME photo booth created by artist Joe Dreher. I can't say enough how amazing the people were I met at Vintage ATL. Terry not only curated a fantastic exhibition, he curates awesome friends and fans.

By the way, may I remind you that I had the pleasure of interviewing Terry myself in 2013. He's been an inspiration and a friend...he's been an influence in there being a greater variety of what wanderlust ATLANTA covers. If you get to meet Terry when you're visiting Atlanta, you'll immediately recognize his congeniality and his love for this city.   

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

That's Kyle of Black Cat Tips—the artist of the character on his t-shirt, just after making a selfie in the (again, AWESOME) photobooth by Joe Dreher. There were so many super nice and super interesting people at this opening event. I must spend more time in East Atlanta Village! 

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

The "Opening Party" was a blast! Check out all the smiles in the above photo. 

I had a great time meeting artists, locals and fans of Vintage ATL, among them architect Nelson Brackin. Atlanta is a great city for architecture right now...this city is growing!   

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

I've always had a great time when playing in East Atlanta Village, but for some reason I've always thought it was more challenging to get to than what it really is. I guess I'd always taken back roads (neighborhood roads) to get there, but on this visit, I took the interstate and was there in practically no time at all. 

Seen in an Atlanta Journal-Constitution article published in January of this year, East Atlanta Village was named the "Third Hottest Neighborhood in the Country"! And for great reason. It's home to "trendy restaurants, bars and boutiques", a family to which Vintage ATL now belongs. 

If you're visiting Atlanta, consider adding East Atlanta Village to your itinerary and if you're local, be sure to check out the shops and the East Atlanta Village Farmers Market.

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER

The Opening Party was great fun and there's rumor of a closing party! The exhibition—Terry Kearns Mural included—is open through May 23, so keep an eye on Vintage ATL's, Architectural Tourist's and the artists' Social Media channels for an announcement of that event, and other coverage of the exhibition.

HOUSE Portraits, HOUSE Painters, Vernacular CRACKER | Terry Kearns

I got to meet Terry's son, David, who shared with me that he's always been supportive of Terry's being a blogger, which I believe Terry started in retirement. Commenting on the Terry Kearns Mural, David noted that the artist totally got the color of Terry's glasses right...and that he did!

Go see "HOUSE Portraits, HOUSE Painters, Vernacular CRACKER" at Vintage ATL while you can—through Saturday, May 23—and do make a selfie in front of the Terry Kearns Mural. And be sure to check out Terry Kearns' blog, Architecture Tourist!

20 Years Magnificent! "Blues for an Alabama Sky"

Have you ever over-romanticized a memory only to relive the experience and it not be quite as fabulous as you remembered? That's not one of those stories. I've regaled for 20 years what a magnificent experience Blues for an Alabama Sky was in 1995.

Seeing it again, having not reviewed much about the 20th anniversary production, I sat on the front row in awe, enveloped in the wonderment of magnificent performances, with decades-old memories of that beloved play flooding over me all the whilst enjoying it as if I were seeing it the first time.

As a long-time Atlanta theatre-goer, I was thrilled to learn that Alliance Theatre was bringing Blues for an Alabama Sky back to Woodruff Arts Center. The crescendo of my anticipation—having waited through summer, fall, winter and the beginning of spring—met with pure delight...it was worth the wait!

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

Blues for an Alabama Sky is a story of hope and hopelessness, dreams, progress, conflict, and the dark side of narrow-mindedness. It's a story of how some things never seem to change, as well as tenacity leading to dreams-come-true.

Tony Award-winning Broadway and film director, and Artistic Director of Alliance Theatre when Blues for an Alabama Sky premiered 20 years ago—Kenny Leon is a super-force in the Atlanta theatre scene. He directed Blues when Phylicia Rashad was in the lead role, and what a magnificent actress she is! I'd only known her from television and Blues was the first time I saw her perform live. You never once saw any character on stage except Angel Allen. I am and shall ever be a fan of Phylicia Rasha.

To set the scene, Blues for an Alabama Sky as described by Alliance Theatre:

Harlem, New York, 1930. The harsh realities of the Great Depression have devastated the bright decade of the Harlem Renaissance. Disease and poverty have overshadowed the creative euphoria that fueled a surge of African-American artists, writers, and luminaries. A story with a rich cast of characters, scrambling to survive and make sense of their overlapping personalities, politics, and love. A classic by Atlanta’s own Pearl Cleage, as timely today as when it received its world premiere at the Alliance Theatre 20 years ago.

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

Having fallen in love with Phylicia Rashad as an actress when she portrayed Angel Allen 20 years ago made it challenging to go into the anniversary performance not thinking heavily about the original show. But possibility of comparison was quickly dispelled when it became obvious that Crystal Fox owns the role...she becomes Angel.

Crystal Fox (pictured above) delivers a sublime performance. And she is true to character Angel Allen—a nightclub singer dumped by her Italian gangster lover and fired from his club, the same night. Angel is hopeful for a future she ran to years before, frightened of the unraveling economics of 1930, and trying desperately to fashion a life beyond mere survival...and struggling with hopelessness.

This I learned after seeing the 20th anniversary production: Phylicia Rashad hand-picked Crystal Fox to be her understudy. "Phylicia knew [Fox] was too young for Angel," said playwright Pearl Cleage, so I found it wonderful and so befitting that Fox would play Angel...it's like it was meant to be!

Many will recognize Crystal Fox from Tyler Perry's soapy television drama The Haves and the Have Nots. May I offer my gratitude to Tyler Perry Studios and the Alliance Theatre for making it possible for Fox to "be in two places at once", for making it possible for her to grace the stage for this 20th anniversary performance.

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

Guy, brilliantly performed by Tyrone Mitchell Henderson (left in the above photo), garnered more laughs from the audience than any other single performer. And consumed more "French Champagne" than any other character...even more than the worldly Angel!

Tyrone revived his role as Guy, having performed the the character opposite of Rashad in a 1996 production, also at the Alliance, that was part of Atlanta's Cultural Olympiad during the Summer Olympic Games.

The flamboyant fashion designer Guy, who moved to Harlem from Savannah with friend Angel, has a dream of joining Josephine Baker in Paris, toasting what he devoutly believes to be an eventual dream-come-true with glass after glass of "French Champagne", all the while providing for Angel's well-being. He's a true friend and does everything in his power to care for Angel and celebrate his other friends.

Guy is an inspiration for perseverance of dreams, for commitment to friends and for bravery in being true to one's self...all the while being entertainingly hilarious! Tyrone is an Alliance Theatre veteran and one I hope we see more of!

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

Tinashe Kajese-Bolden (pictured above), who portrayed Delia, is a new discovery for me and she's absolutely magnificent. Delia is steadfast in her determination to bring about progress in Harlem, even in the face of resistance and life-threatening danger. Her character is as innocent as she is strong, and Tinashe's performance of Delia is outstanding.

Originally from Zimbabwe and a new resident of Atlanta, Tinashe is one that I hope we see a lot from. She certainly has an impressive resume and she's already making a remarkable impression on the Atlanta theatre scene. Keep your eye on her...she's a gem for our city!

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

I want to call Sam a jovial personality, but that's too light a descriptive to impart on a performance as deep as what Keith Randolph Smith (left in the above photo) delivered in Blues. The character Sam struggles with the conflict he lives with as a physician who has the talent and knowledge to make a difference in his community, but is faced with the heartbreaking limits of Depression-era challenges and the decline of Harlem that had held such bright promise.

Keith, who also has an incredibly impressive resume—of stage, television and film—gives perhaps the greatest range of performance...from a carefree party boy to sobering care for his friends, from vulnerable to conditions out-of-his-control to devoted and protective friend and love for one in particular, Keith's performance is a major contributor to my refueled love for Blues for an Alabama Sky.

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

While the other characters in Blues I'm certain I would enjoy knowing and spending time with, Leland is probably not someone I'd get to know too well. Not as innocent as we're led to believe, Leland is too straight-laced, narrow-minded and overly conservative for my taste. BUT, a great performance was given, in this case by Neal A. Ghant (left in the above photo).

That an actor can elicit such an emotional response to the degree of what Neal did says a lot...it says he's a world-class actor. Also a veteran of the Alliance Theatre stage, I hope we'll see much more from him...hopefully as a more lovable character. Congratulations, Neal, on a wonderful performance in Blues.

Blues for an Alabama Sky, 20th Anniversary | Alliance Theatre

"When the play premiered in 1995, my wish was simply for a successful first production. I'm happy to say that in the 20 years since Blues was commissioned not a single year has passed when the play was not produced on multiple stages across the country," said Blues playwright Pearl Cleage.

My only personal regret is that it took me 20 years to see Blues again, yet seeing it again is a personal lifelong theatre-going highlight. I was concerned that the anniversary performance wouldn't live up to what I'd romanticized as one of the best-ever Atlanta plays. To the contrary, Artistic Director Susan V. Booth and playwright Pearl Cleage, together with a stellar cast, have sustained the magnificence of Blues for an Alabama Sky and ensured its place as an Atlanta theatrical icon for generations to come.

Blues for an Alabama Sky is on stage at the Alliance Theatre now through Sunday, May 10, 2015. I hope to see it again, so maybe I'll see you there!

Nick Cave's "Up Right Atlanta"

Friday night involved a lot of spectacular firsts for me. It was the first time I've seen Nick Cave's artistry, the first time I've attended a Flux Project event, and it was the first time I've visited Ponce City Market. It was a fantastic evening!

There are two shows per day throughout the weekend, of Cave's piece Up Right: Atlanta, each show being comprised of two distinct performances. I had no idea what to expect going in, but let me tell you...you are in for a real treat!

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

Nick Cave is working with Tracy Lang, assistant professor of dance at Spelman College and artistic director of T. Lang Dance. Thirty-one local artists—dancers, performers, and musicians—are performing the work. And it was obvious to me that each is committed to their art and to providing a remarkable experience.

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

I'd like to share a little about the second performance first. It was the longer of the two, less energetic than the first, but just as—if not more—potent, and ascendant.

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

The adornment of the dancers began with encasing them in a prop-cradle infrastructure. I had surmised that at least some of the massive amount of props on the stage would become costumes, but I was blown away that ALL of it became costumes for the half dozen or so dancers. Believe me...there were enough costume elements to dress six times the number of dancers than were in the show.

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

Said of the performance:

Cave initiates—the lead characters of this work. Through the performance, they are prepared mind, body and spirit to face the forces that stand in the way of self-hood, to enter a world over which they have complete control. Initiates become warriors of their own destiny.

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

I was impressed that even the final checks and balances, after fully costuming the dancers, was given as part of the performance. Truthfully, I thought this segment was interpretive until I finally realized that it was a final costume check and an unhurried opportunity for the dancers to ready themselves to balance what must be rather heavy ensembles.

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

Intended or not, and as thought-provoking as the performance is, it carries with it a degree of humor. From a two-foot tall scarf-wearing duckie—part of the costume adornments—to the dressers using large brushes to groom the super-sized fury costume elements, there were ample opportunities to enjoy the quieter of the two performances. 

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

I heard that some felt that the performance was slow and too long, but I think those people totally missed out. Frankly, just about the time that I started to think the same thing was the precise moment I began relax into the piece and immensely enjoying it. 

It's not at all slow. It calms the mind to a point of reflection and introspection, as well as speculation about the story unfolding on stage. It was also when I looked quite closely at the costume design and detail. What appear mere common materials—an aluminum Christmas tree, a crocheted throw, and various beaded pieces...to name only a few—are actually a complex and intricate chorus of exterior persona. 

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

The opening moments of this particular performance began with the dancers "disrobing"...not completely, of course. We knew then that we were in for something not quite expected. What it became, and what it truly was from the beginning, was quite beautiful.

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

What others are saying about Nick Cave's work...

"Nick Cave's hybrid creations are part Alexander McQueen, part Andy Warhol, and wholly bizarre, brash, and beautiful. He combines elements of sound, performance, color, and costume to create whimsical works that even the darkest soul would find hard to resist." – Artspace

Nick Cave's "Up Right: Atlanta" | Flux Projects | Ponce City Market

I mentioned that there were two performances. The first took place on the main level and among the guests! Notice the "drum major" on the far right of the above photo. He was magnificent and delightfully energetic, as were the other colorful performers. Both performances were superb. I definitely recommend seeing this show if you can swing tickets.

I'd like to thank Carrie of Launch Atlanta for letting me know about the show.

Nick Cave's Up Right: Atlanta is at Ponce City Market for the weekend. I've heard that performances are selling out (they're free, but require reservations), so check their website for tickets before heading over.If you' don't make it to this show, watch for more of Nick Cave's artistry and definitely look for other Flux Projects events!

Want to see something you've never seen?

Want to see something you've never seen, and likely never will otherwise?

Mysteries of the Unseen World, now showing on IMAX at Fernbank Museum of Natural History, gives you such an opportunity. You and your fellow visitors might even want to take in a double-feature, like I did yesterday!

Fernbank Museum of Natural History | Dinosaur Plaza

Visitors to Fernbank are greeted at Dinosaur Plaza by a trio of hadrosaurs known as Lophorhothon atopus, which once lived in the region that is now Georgia. 

I share that with you so that you know that if you don't have time to explore the museum AND take in a movie, you still get a dinosaur experience. But do come back when you have more time to explore...it's a fantastic museum!

Now, to the film...

What you can't see...can fascinate! Mysteries of the Unseen World is a magnificent film that explores things that are too small—really, really small!—as well as things that move too fast or too slow for the naked eye to see.

Did you know that what we see—with the naked eye—is a tiny fraction of of what's really going on in our world, and the universe? The film tells us about some of the light spectrum that we don't see, and so much more! 

Fernbank Museum of Natural History is open, with IMAX films rolling, seven days a week. But, if you can't make it to Fernbank during the week, consider Martinis & IMAX on a Friday evening, 7:00 p.m. to 11:00 p.m. (except for holiday weekends). It's a great evening of live music, dancing, food, cocktails and IMAX films!

Enjoy the National Geographic Movie Mysteries of the Unseen World at Fernbank Museum of Natural History through Thursday, July 16, 2015. Go have fun at Fernbank and see what you've never seen before!

10 Reasons & 10 Ways to Support Atlanta Ballet

A new love affair is always exciting. Especially when it's one that has developed over the years. 

Although I've been a fan of dance all my life—you should have seen me in the 80s and 90s—looking back, even I was surprised to realize that I've attended three Atlanta Ballet performances since December. Each was unique and absolutely thoroughly magnificent. I've always admired dance—in its many forms—but I can now say that I'm a true fan, a love affair of sorts, of ballet. With a particular zeal for Atlanta Ballet. 

In December, my best friend treated me to Atlanta Ballet's Nutcracker. In February I treated myself to Romeo et Juliette—Gold Section seats!—and just last month, Atlanta Ballet treated me to the world premiere of Camino Real. Already I can hardly wait for the next performance!

Atlanta Ballet | Camino Real | Photo: Kim Kenney

10 REASONS TO SUPPORT ATLANTA BALLET

In a relatively brief period of time, the dancers, choreographers, costumer designers, performance venues, administration and marketing (my apologies to anyone I left out) have made me a major fan of Atlanta Ballet and I'd like to share with you a few reason you may want to join me in supporting them. In no particular order...

1. Opening Night!

Atlanta Ballet knows how to do Opening Night! And a Red Carpet Opening Night is a fantastic experience. Most recently I attended Opening Night of Camino Real with my dear friend Nancy and our pre-show and intermission experience at Cobb Energy Performing Arts Centre was magnificent.

Pre-show and intermission entertainment varies from show to show, but in my brief experience it includes a DJ spinning lively music, dance performances, specialty cocktails, there's a gift shop, usually more than one private reception going on, and when attending Romeo et Juliette in February, I and hundreds of others were witness to a proposal of marriage. She said, "Yes!" 

Atlanta Ballet | Camino Real | Photo: Kim Kenney

2. Camino Real

"Pickett had debuted her first full-length work, a daunting challenge with dramatic narrative based on a difficult play. A well-tuned collaboration between Pickett, composer Peter Salem, set designers David Finn and Emma Kingsbury, and costume designer Sandra Woodall, Camino is one of the most unusual and original dance collaborations the company has ever produced." - ArtsATL

Cynthia Bond Perry's ArtsATL review of Camino Real is particularly well-written, especially for an audience that follows dance. I invite you to read it in its entirety. I definitely agree with her use of the word "unusual", for it was that indeed. But in the most wonderful of ways. For the skeptics who envision taking a nap at the ballet...not going to happen at a performance of Camino Real! It's incredibly mesmerizing.

Atlanta Ballet | Camino Real | Photo: Charlie McCullers

3.  Atlanta Ballet's Nutcracker

Atlanta Ballet's Nutcracker has been a favorite tradition for many since 1995. 

And for many young Atlantan's (and us older one's too), it was a first experience of Nutcracker, a first experience of The Fox Theatre, and a first experience of Atlanta Ballet, perhaps even the first time seeing a ballet!

I can't even imagine Atlanta Ballet's Nutcracker not being part of all the spectacular holiday offerings Atlanta has to offer, especially one this special. I've met people who have seen it many, many times and others who have wanted to see it for years. I'm well on my way to being in the first group and if you're in the latter group, I hope you'll remedy that this December.





4. Atlanta Ballet Orchestra

If you're a fan of live music performances—a great majority of Atlantans are—then you're in for quite the treat. The Atlanta Ballet Orchestra performs live every performance. I wish we saw more of them, but we do have the opportunity to express our gratitude with applause—and I encourage you to applaud loudly!

Atlanta Ballet has deep roots in live music. In fact, in 1946 the Company became the first in the nation to help fund a symphony by donating that season's proceeds to the Atlanta Youth Symphony, which later became the Atlanta Symphony Orchestra.

For this year’s world premiere of Camino Real, the Company commissioned an original score. It was new for the composer, the orchestra, the choreographer, the dancers and it was new for the delighted audiences who attended that world premiere weekend.

I've never heard anything like it—quite likely because there is nothing like it—and it was remarkable! Congratulations to all who created and brought the score to life.

5. They're Environmentally Responsible

The Michael C. Carlos Dance Centre, Atlanta Ballet headquarters, was designed and constructed to pursue Leadership in Energy and Environmental Design (LEED) certification. Awarded by the U.S. Green Building Council, the Centre achieved LEED-Gold certification when it opened in 2010.

Even more impressive, Atlanta Ballet is the only arts organization in the country whose headquarters has LEED-Gold certification, the second highest achievement for LEED certification! I would even suggest that Atlanta Ballet was a pioneer among Atlanta organizations to adopt such a strong sustainability stance so early.

At 55,000 square feet, the West Midtown headquarters is twice the size of its former location and only the sixth location in the Company's more than 85 year history. The facility houses five (5) full size dance studios, a physical therapy suite, a student library, a massive costume shop, nearly 8,000 square feet of office space, a full-service box office and a LOT more! Impressive doesn't begin to describe it.

Atlanta Ballet | Camino Real | Photo: Kim Kenney

6. Heath Gill

Atlanta Ballet danseur Heath Gill is the one company member I've seen perform more than any other. Between Wabi Sabi performances, Nutcracker at The Fox Theatre and performances at Cobb Energy Center, I've lost count of how many times I've seen him. There's comfort in familiarity, of course, but Heath's love for what he does shows in his performance. That I admire.

The Atlanta Ballet company dancers range in experience from debut season to 20th season! And they represent a vast array of experience and quite a few countries. The breadth of possibilities for what to expect from this compilation of talent is practically infinite. It's wonderfully exciting is what it is!





7. Nadia Mara

During the press preview for Camino Real, Nadia Mara was a mere few feet away from me—they were running scenes for us in the main dance studio, with mid-construction sets in place—that was pretty cool. 

Nadia gave a performance of an intoxicated young lady unlike anything I've ever seen on a Hollywood big screen. On film, she'd be an Oscar-winning actress, but I'm quite happy to be able to see her perform live as a heart-winning ballerina.






8. Set Design & Fabrication

The set for Camino Real was designed and fabricated at Atlanta Ballet's West Midtown headquarters. I had the awesome opportunity to see those sets mid-fabrication during a press preview about two weeks before opening night.

Check this out...when they moved to West Midtown, they built their main dance studio to scale of the Cobb Energy Performing Arts Center stage, where the Atlanta Ballet is a resident company. So, you can imagine just how much that facilitates rehearsals, as well as set design.

Atlanta Ballet | Camino Real, Set Fabrication | Photo: Kim Kenney

9. Costume Design and Fabrication

Costumes for Camino Real, being a world premier, were designed, by Sandra Woodall, and fabricated at the Atlanta Ballet campus. You should see their Costume Shop! It's the size of a department store...a mesmerizing and magical place. 

I've had the pleasure of seeing the Costume Shop twice...once four years ago at a networking event and again recently. It's still a treasure trove of ensembles that will evoke a flood of marvelous memories. There are many, many shows represented in that majestic closet!  

Atlanta Ballet | Camino Real Costume Concept | Photo: Atlanta Ballet

10. You're Supporting Someone's Dream

We all have aspirations and that one dream career that we're either in or working toward. Believe me when I tell you that it takes more than a village to produce and perform even one Atlanta Ballet show. By supporting Atlanta Ballet, you're supporting the dreams of dancers, choreographers, musicians, engineers, costume designers, facility managers, marketing professionals, set designers...the list goes on and on!

And please have a look at what they're doing at their multi-campus Atlanta Ballet Centre for Dance Education!

Atlanta Ballet | Camino Real | Photo: Charlie McCullers

10 WAYS TO SUPPORT ATLANTA BALLET

Please allow me to share a few ways that you can support Atlanta Ballet. Some of these are obvious, but oftentimes the obvious eludes us or we forget by time we're in a place to take action. So, I offer these these as inspiration, or at the very least may they serve as reminders. In no particular order...

• See a performance
• "Coordinate a group outing
• Like" Atlanta Ballet's Facebook page
• Purchase a subscription
• Take a class
• Volunteer
• Attend the Atlanta Ballet Ball
• Attend a Wabi Sabi performance
• Get a job
• Join a summer program

I encourage you to pick at least one—or turn the whole list into a checklist!—and have fun supporting the performing arts and Atlanta Ballet. 

How will I support Atlanta Ballet, you ask? I will continue to attend performances, I'll continue to share their magnificence on Social Media, and I've always wanted to learn how to tap dance, so don't be surprised if one day I share of video of my inaugural dance recital, the result of classes offered through Atlanta Ballet!

In case you missed it, here's a look at the one-of-a-kind, totally mesmerizing performance that I hope is a show that will tour the world, Camino Real...





One last thing. It means a lot to me, and I think most would agree, to see Atlanta Ballet embrace and demonstrate their Mission Statement:

To enrich the human spirit through dance; inspire through performance and empower through education, while building on the rich legacy of the art of dance.

Well, it's now after midnight and tonight is Opening Night of The Best of Modern Choreographic Voices, three ballets in one performance! It's at the Cobb Energy Performing Arts Center through Sunday, so get your tickets now. 

I'll see you at the ballet!